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Interestingly, I wasn't aware of such interpretation back when I did the drawing (inexcusable for an Orthodox Christian, I know), and the connection with it came out completely unintended. But that's the way these "coffee drawings" work -- everything about them is spontaneous and happens on subconscious level, because they are all drawn from the actual coffee grounds, which are supposed to be completely random.
You might ask, what the dog has to do with it. Maybe that's the question for the person who actually drank that cup of coffee, but since I can't really remember who it was, I guess I'll have to answer that myself. Well, in my art (and in life, generally) a dog is a symbol of loyalty and faithfulness, and the chain here should not be considered as means of restraining Magdalena's freedom, but rather a way to keep her feet "on the ground" -- something everybody needs when standing on the edge of a crumbling rock.
So here it is -- the brand new version of Maria Magdalena, featuring Diana as the model. I must say, it takes some courage to pose for such a tough theme, with its controversial and somewhat disturbing imagery. But for me there are no forbidden themes in art, and I'm happy that Diana shares my stance on it. Maria Magdalena II is the first artwork to feature her full frontal nudity, and she managed with grace, beauty and the complete understanding of the subject, for which I'm very grateful.
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